Murder on the Orient Express

Murder on the Orient Express

Audition Dates:
Friday, September 25th 7:00pm – 10:00 pm
Saturday, September 26th 10:00a.m. – 1:00 pm
Sunday, September 27th 2:00p.m. – 5:00 pm (callbacks, as needed)

Performance Dates:
December 4–13 at The Theater at Violet Woods Event Center (formally the Wigwam Event Center)

Audition Location:
Epiphany Lutheran Church
268 Hill Rd N, Pickerington, OH 43147

This winter production, directed by Coreen Janetzke, invites actors 18+ of all races, sexes, and identities to step into the world of Hercule Poirot and the passengers of the Orient Express. Auditions will consist of a cold reading from the script.
You will be asked to fill out an audition form. You can save time at the audition by filling out the form provided at the link above, but forms will be able to fill out at auditions as well. You may attach a resume and picture if you wish (it is not required). Please bring a calendar that includes conflicts.
 
You will have your picture taken and a number will be assigned to you.
 
You do not need to prepare anything for you audition. Monologues and sides will be provided at the auditions. You may be asked to read for multiple roles during your audition or callback.

Hercule Poirot
Age – 50’s – 70
Dialect – Belgian
The famous detective. Fastidious, thorough and incredibly observant and intelligent. He is
both arrogant and humble to a fault. Dignified and occasionally vain, precise and
methodical.

Monsieur Bouc
Age – 50’s – 60’s
Dialect: Belgian
The owner of Wagon Lit, Orient Express. Bouc is a man with a youthful vigor and
attitude. Gregarious, honest and forthright. He puts his friends and customers above
profit, although he’s concerned about his company’s image. He is not a match for Poirot in
intelligence.

Mary Debenham
Dialect: British
Relationship to Daisy: Governess
A governess. Anxious, but also cool and determined. Mary has a certain sadness about
her, as well as many secrets. She is carrying on a secret affair with Colonel Arbuthnot.

Colonel Arbuthnot
30’s – 40’s
Dialect: Scottish
Relationship to Daisy: Served in the military with Daisy’s father, Col. Armstrong
A military man of the old-fashioned type, possibly old money, and used to being obeyed
without question. He is strong and charismatic, but also problematic in some of his
personal views. Has a temper but loves Mary deeply.

Hector McQueen
30’s – 40’s
Dialect: American
Relationship to Daisy: Son of the DA who prosecuted the case and lost
Personal assistant and secretary to Samuel Ratchett, McQueen is a nervous character with
a stutter that appears when he is especially anxious. Seems rather new to his
profession. Talks a bit too much and wants everyone to get along.

Michel
40’s – 50’s
Dialect: French
Relationship to Daisy: Father of the Armstrongs’ French maid who died from the ordeal of
the kidnapping
Michel – Competent and organized. He is the conductor for the first-class carriages
of the Orient Express. Handles himself well in a crisis and is very good at his job.
Head Waiter at the Hotel – Eager to please.

Princess Dragomiroff
60’s – 70’s
Dialect: Russian
Relationship to Daisy: Godmother to Daisy’s mother
Displaced Russian nobility. Determined, arrogant and accustomed to getting her way. She
travels a great deal and holds very decided opinions.

Greta Ohlsson
40’s – 60’s
Dialect: Swedish
Relationship to Daisy: Nurse
A Catholic missionary and baby nurse. Currently she is serving as a companion to Princess
Dragomiroff. She would like to help small children in Africa; deeply devout. This character
may be funny but should not be played as a caricature for laughs.

Countess Andrenyi
30-40
Dialect: Hungarian/American
Relationship to Daisy: Aunt
addition to being married to a count (and thus, nobility), she is also a doctor. Beautiful,
educated, charming and intelligent enough to match wits with Poirot.

Helen Hubbard
50’s – 60’s
Dialect: American
Relationship to Daisy: Grandmother
Not exactly what she seems, Hubbard comes across as gregarious and loud. An American
busybody who has been married multiple times. She must be able to sing and do a little
dancing. She should also be able to pull off a cooler, more calculated version of this
character.

Samuel Ratchett
30’s – 40’s
Dialect: American (mobster – possibly Brooklyn style)
Relationship to Daisy: Kidnapper and murderer
A dangerous and unlikable man, full of entitlement, with a hair trigger temper. A forceful
personality who comes across as someone not to be trusted or crossed. Thinks he’s more
charming than he is.

Project details